Jingdezhen Blue and White Porcelain Vase Identification Method and Techniques

Blue-and-white porcelain vases, as mainstream products of Chinese porcelain, have a long history and culture. Blue-and-white porcelain vases first sprouted in the Tang Dynasty. During the Yuan Dynasty, some mature blue-and-white porcelain vases appeared. From the Ming Dynasty, blue and white porcelain vases had a place in the porcelain market. By the time of the Kangxi period, blue-and-white porcelain vases had ushered in its peak. During the Ming and Qing dynasties, the makers of blue and white porcelain vases also created a variety of derivative varieties, such as multicolored blue flowers, red and blue flowers, peacock green glazed blue and white flowers, cobbled blue and white flowers, bean green glazed blue and white flowers, yellow blue and white flowers and so on. Therefore, the identification of blue and white porcelain vases is more complicated. What I want to explain to you today is the identification methods and techniques for Jingdezhen blue and white porcelain vases. You can look carefully at your eyes.

Blue and white porcelain vase introduction

Blue and white porcelain vases, also known as white and blue and white porcelain vases, are often referred to as blue-and-white Chinese ceramics. It is one of the mainstream varieties of Chinese porcelain and belongs to the underglaze colored porcelain. The blue-and-white porcelain vase uses cobalt oxide containing cobalt oxide as raw material to draw patterns on the ceramic body, and then covers a layer of transparent glaze and burns the flame at a high temperature once. The cobalt material is blue after firing, and has the characteristics of strong coloring, bright color, high firing rate, and stable coloration. The original blue-and-white porcelain vases have seen signs of the Tang and Song dynasties, and mature blue-and-white porcelain vases have appeared in the Hutian kiln of Jingdezhen in the Yuan Dynasty. The Ming Dynasty blue and white became the mainstream of porcelain. Qing Kangxi developed to the top. During the Ming and Qing Dynasties, it also burned a variety of blue and white flowers, green peacock green glaze, bean green glaze blue and white, blue and white red flowers, blue and white flowers, blue and white glazed varieties.

  

Identification method of blue and white porcelain vases

First, we need to look at its cobalt materials. There are many kinds of cobalt materials in blue-and-white porcelain vases, which can be divided into Suoni Maqing and Huiqing. Most of these aggregates are manganese. Since they were traded with foreign countries at that time, imported cobalt materials were extremely The 20-knife and top-grade masters of the collection of blue-and-white porcelain vases have a very high artistic value. According to historical records, the artistic value and artistic technique of a blue-and-white porcelain vase can be introduced by the artist behind him. Therefore, it can be concluded that Its age.

Second, we need to look at the color of blue-and-white porcelain vases. If blue-and-white porcelain vases are brightly colored under the glaze, then we can conclude that it was in the Qing Dynasty, because only under the glaze of the blue-and-white porcelain vases of the Qin Dynasty, we will develop to the peak. This will appear blue and white, this phenomenon.

Next, we must look at its artistic level! In ancient China, it was generally an era of masters and students. Therefore, the artistic technique of a porcelain can be seen in a martial arts technique that can be traced back to which martial art style. , can determine its age.

Finally, we must have enough knowledge of the background knowledge of the blue-and-white porcelain vases. We must combine the technological features of the blue-and-white porcelain vases and then summarize their artistic techniques. Since the artistic methods of the Qing Dynasty and this era are not the same, it is an art technique that can be concluded. Look at its age.

  

Blue and white porcelain vase repair steps explain

First, the fragments of porcelain were classified and classified according to the category of porcelain to find out which part was the blue-and-white porcelain vase.

Second, the porcelain pieces are cleaned. First, the dirt on the pieces is cleaned with a soft brush, etc., and then the second step of cleaning is performed by immersing them in the liquid. The third part will Dry the pieces or use other methods to dry them.

Third, the porcelain pieces are compared and spliced, starting from the shape features, colors or patterns on top, and the pieces are spliced ​​in an orderly manner.

Fourth, the spliced ​​pieces are bonded and reinforced. According to different porcelain characteristics, different adhesives are used and different measures are taken to reinforce the pieces.

Fifth, the work of replenishing bonded shards. Because the bonding of the debris often leaves behind gaps or incomplete parts, the parts need to be reworked. To a general extent, the raw material for its supplementation needs to be based on the material of the fragment itself, and the method of complementing the material must be determined according to the texture of the fragment itself and how much it needs to be supplemented.

Sixth, coloring and glazed work is performed on porcelains that have been well-matched. This work is generally performed on the basis of the characteristics of the porcelain itself. Its purpose is to integrate colors, glazes, and porcelain styles as much as possible. The glazed porcelain is consistent with the undamaged porcelain.

The seventh and final step is to perform the old work on porcelain, and to restore the new porcelain, and to gradually restore the newly made porcelain according to the production and production time of the porcelain. The style of production makes it feel old.

Editor's summary: The above is related to the identification methods and techniques of Jingdezhen blue and white porcelain vases. The beauty and elegance of the blue and white porcelain vases are not only reflected in the blue and white porcelain vases. After the designers took inspiration from the blue and white porcelain vases, the blue and white porcelain vases have become a design. One kind of element, from earrings to large home designs, we can see the shadows of blue and white porcelain vases in various places such as clothes, accessories, furniture, and stationery. Remember the graceful appearance of the ladies wearing blue and white porcelain vases during the Beijing Olympics in 2008? The blue-and-white porcelain vase, as an element representing Chinese beauty, conveys the classical beauty of China to the world.

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