In the 17th century, a new aristocratic class was born in Italy. The royal nobles obtained palaces and mansions for interior and furniture decoration. Due to the competition among nobles, they emphasized social status and authority. The common feature is luxurious decoration. It often uses contrast in appearance, fine craftsmanship and luxurious effect to obtain strong decorativeness. Italian Baroque furniture developed to its peak after the 17th century. The furniture was hand-made by furniture designers, architects and sculptors. The furniture is decorated with high reliefs such as pilasters, columns, human pillars, shells, raspberries, scrolls, lions and other high-relief decorations. The carpentry is carefully crafted. It is a noble style in the style of the royal nobles. It is a furniture art. The integration of architectural art and sculpture art into Baroque art is extremely gorgeous and colorful. It also affects other European countries, especially the Roman Baroque furniture style. The Baroque furniture style directly affects the design and production of French Louis XIV furniture.
A carved walnut chair, very popular in Italy in the 17th century, spread throughout Italy. The chair is composed of a linear structure.
Setvina Baroque style furniture (10 photos)
There are no crossbars on the top of the back, two curved upper and lower baffles in the middle, embossed scroll ornaments and leaf ornaments on the top, and the middle oval shape with scroll leaf ornaments. Under the trapezoidal seat surface, the upper and lower two scroll leaf decorative patterns are also set in the front legs under the look plate. The backrest uprights and front legs are carved with the same veins. The entire piece of furniture looks very harmonious and harmonious, but there are also two shades of color contrast that can be dealt with, and the up and down directions, different shapes are decorated, and it looks vivid and interesting. The biggest shortcoming of this piece of furniture is that it is not suitable for people to use. The upper backrest decoration makes people unreliable. The lower decoration restrains human legs and restricts people from using it at will. It is very uncomfortable.
The other carved armchair made of walnut wood from 1675 to 1700 was more considered to be comfortable to use. The backrest and seat surface are equipped with cushions for people to enjoy comfortably. The wavy curved end of the armrest ends with a spiral pattern. The armrest support and the front leg have a rounded wood column with round ball feet, and the front and rear leg curves are woven into the middle to sculpt a raised pattern. The dark wooden frame is in strong contrast with the light-colored delicate fabric fabric, which looks very elegant and beautiful. Another sculptor completed the palace kneeling stool in 1706, which is the furniture used by the people in the Italian palace to pray to God. The stool surface is very low, and the scalloped ebony black stool has gold-plated scroll decoration on the front legs underneath, and the middle scroll decoration surrounds the scallop carving. The high backrest top rail is in the form of an architectural eaves board. The middle of the backrest is opposite to two large scroll patterns S-shaped, which is curled to the bottom between the backrest and the seat surface. The crossboard is finished with two small S-shaped curves. Engraved under the backrest rails are scroll patterns, ranunculus leaf ornaments, and branches and leaves. Each side has a side winged angel avatar. The front winged angel head sculpture in the middle of the backrest protects the branches and leaves. The fruit that flourishes may be used to worship God. The little angel who spreads its wings is to express the simple piety of the devotee. It can be seen how closely the furniture culture, art and religious culture are integrated. This piece of palace furniture is black and white, straight and straight, not only luxurious and eye-catching, but also dignified and powerful.
Another cabinet chair made by the architect from 1678 to 1680, the cabinet body or backrest is simply a small building, the top of the cabinet body is like a statue of a spire on the top of the cabinet, and a statue of a horse jumping and jumping. Four sets of Corinthian column ivory carvings under triangular friezes and lintel panels, centered on round arches, the cabinet doors are divided into rectangular and oval interiors decorated with ivory carving patterns, and three ivory carved handles are dotted on the drawer below. The entire black ebony cabinet and ivory are decorated with white and white and black, and the contrast is strong. The Baroque architectural style is attractive. The support under the seat surface is purely sculptural art. The three lifelike sculptures are like kneeling on the pedestal and using the back to support the entire tall building. The ingenious idea, the strange shape, and the luxurious decoration are really amazing. A carved table was made in Rome around 1680. The white marble tabletop was surrounded by a scroll pattern, and two and a half sitting and half leaned against the sculpture of a man. This is an artistic creation by the sculptor. The intricate golden decoration is very luxurious. Another similar carved table base is also a carved artwork, from which it can be seen that furniture culture and sculpture are integrated into an extremely dynamic and luxurious shape, which has become a characteristic of the Italian Baroque furniture style. Under the marble tabletop, there are two eagle sculptures on one side, and the other side is decorated with scroll cymbidium leaves. This raspberry leaf decoration is the most commonly used pattern in European Baroque furniture culture and art. It is also commonly used for decoration in the Renaissance. According to ancient documents, the birth of the raspberry pattern was directly imitated from the raspberry in nature. The sculptor Carri Marcos was in Corinth, and he saw a ranunculus growing out from under a basket by accident, and was moved by the combined effect of the two. With this inspiration, he created the Corinthian stigma. Other scholars believe that the decoration of buttercups is not a new invention, which directly imitates the patterns of natural plants, but the product of the continuous evolution of decoration in the history. That is, the traditional palm carvings in ancient Greek art gradually evolved into the decoration of buttercups. .
The Italian Baroque famous sculptor Antonio and Kosudini made armchairs in 1690. Their furniture is made of undulating carvings, full of momentum. The front legs are made of black juvenile statues, and the legs have to be crossed X The carved ornaments and armrests are like twisted and bent roots, and the carvings at the connection between the armrests and the backrest are sitting like a portrait. The frame of the seat surface of the armchair is boxwood, and the seat surface and backrest are covered with French velvet fabric. The colorful and bright colors are in sharp contrast with the deep red ebony wood, and the straight backrest seat surface and the curved component form a strong The contrast is very vivid and luxurious.
Kosudini designed and produced another pair of tables and chairs in 1730. The table is the furniture of the Governor ’s living room, the base of the table is completely sculptural decoration, the table edge and the underside are precise carvings of flowers and plants, and the four corners are the mermaid statues supporting the table. There are several small angel statues in the middle, and the tabletop is also carved and decorated. It is matched with the throne designed for the governor. From the feet to the backrest, it is a portrait carving, which is very dynamic. The center of the top of the backrest is surrounded by two small angel statues. Chapter. The carved parts are all gold-plated, while the backrest and seat surface are wrapped in dark red velvet cloth, and the golden table and chair statues set off the deep red seat surface. The gold is brilliant, it is really beautiful art sculpture, this is typical of Italy Baroque art. In 1675, a decorative table was obtained in the cloister of the Roman palace. It was decorated with gilded wood carvings. The base was so large that it was decorated with leaves and scrolls. It was carved with two different portraits. It was very strange, mysterious, and full of movement. .Furniture and sculptor made this piece of furniture, but also a sculpture art crystal.
Bernini built an altar with a canopy for Pope Urban VIII in St. Peter ’s Basilica. The column body of the altar is carved into a spiral, and the eaves of the column top are two rows of rhythm. Horizontal bands, convex and concave, delicate and fine: under the canopy eaves, the edge ornaments are biased in different directions, as if swinging in the breeze, the top of the canopy is carved with scroll patterns and portrait decoration. This altar furniture is also a memorial building, Magnificent and tall, its scale coincides with the vast space around it, at the same time it is a luxurious sculpture, several art forms are ingeniously combined, giving people mystery, giving people dynamic, giving people excitement, giving people Passion, extremely infectious, is a masterpiece of the magnificent Italian Baroque culture and art style.
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